Parallel Advent: [5] Ventriloquizing and growling, the body monitors the site.  [4] The site evolves as a text.  [3] The earlier wishes to be its script.  [2] Its asymmetrical area is established, but its attention is almost symmetrically and reciprocally divided.  [8] As in the earlier versions, flesh follows function.  [2] The enveloping figure steps in and does so relatively cautiously.  [8] The pulse is proportional to the iterative welcoming gesture.  [4] Each sentence is punctuated by one interjection at a time.  [8] Like a refrain, the time that consolidates its imagery from fully faulting keeps permutating.  [6] The possibility of becoming public is augmented by a pre-established program that, once deducted, will convert into a private sphere.  [3] The oral cavity can anticipate activity retroactively.  [2] The entropic domain of its operation remains unforeseen by the motoric circulation that returns as a pulsating pre-cognoscible backspace.  [7] The dramatization of the circumscribed area is reframed as the double of the envisaged frame.  [7] The arrested motion departing from the ground conceals how the closure of the larynx is redistributed by an associated skeletal integrity: from the ground to the cortex, or from the event split by a hypothetically 3D blackout awaiting insertion in the linear timeline, to the framework that anticipates its surfacing.  [3] The repeated interjection poses a representational limit, this is distributed in a risky but resistant loop.  [1] The pitch reconfigures to encounter its motoric competence once bifurcated through its lumbar adjacency.  [7] Unresolved movement, preconsciously, is phased out and redistributed remotely.  [9] As a procedure, a transdermal permeating pad is incorporated as a proxy of the attention to come.  [6] Presently, its re-focalization collapses the longitudinal gesture that the vocal folds were once conceived to broadcast.  [3] The alveolus, in anticipation, realigns with the vitriolizing laryngeal nerve to rectify the instantaneous mid-air prehension.  [4] The rips keep tending to hang in mid-air, hastening the implementation of the pulmonary coherence that resists prolonged semantic deflation. [9] Now, the permutating flows are structurally rearranged to prevent an overly discernible effectiveness.  [1] A viscous material obliterates the frame and securely diagrams the frequency slipping from the mandible into coordinates that record the sonic gasp.  [4] One interjection at a time apprehends its modal hesitation, establishing attempts at loquacity against an almost impenetrable sonic reflux.  [2] As desired, the refurbishing of the larynx remains misaligned with the thoracic pitch.  [2] The expanded version of this reenactment gradually transitions, as if electing one frame at a time, retrocausally overturning intelligibility and substituting it with simple but appropriated timbres.  [2] Unrestricted play of ocular converters halts the ground distribution that enables the speeding up of the presaged "faciality." The contracting gesture expelled from the figure slowly punctures the vaporous horizon into a multi-perspectival resurgence.  [6] The phonation, once consumed, restores the body into reverberating generic air.  [5] The assistant assimilates it abdominally through its pelvic cavity.  [6] An aggregated conspiratorial outlook abruptly discharges the atmosphere, undoing the ceremonialist routine.  [9] A superposed metastable utility, attained and observed by a truncated register, is restored from an existing score and referred back to its original position.  [3] The mild, schematized meta-stabilization of the once-called agreement by the ongoing re-signification of the prostrated figure is subsumed into the tactical predisposition toward collapse.  [8] The space assimilates the site while succeeding it as a colloquial deception of direct communicability.  [5] The calculated phasing permutates the occurrence, faulty as an expedient, and is selected as the main medium to depart from the volition that will outline the contours of the mouth as a faceless prefiguration.  [9] A slanted corporal interval is probed to emulate the missing context yet to be retroactively determined and only later emitted.  [4] Voluntary suspension of a quantifiable torrent is muted to deceive a hypothetical firsthand gravitational prehension.  [7] The roaring stratagem that dislodges the tremor from the ground is co-led into a destabilized body part.  [6] The last requisites to fulfil a clandestine service, almost out of joint, are nevertheless operative.  [6] Imitative permeation is obscured rather than prohibitive.  [7] The examination is revalued and converted into a template that is even capable of piercing the most inflexible of the meticulously excluded tasks.  [9] A nebulous attempt at smuggling the device before this propels itself to elapse the road from the anticipated fork is congested.  [4] The rebound of the syncopated monitored motion resists the freeze mode of the device that records it.  [2]Movement follows a subordinated order while the text retroactively absorbs the command of its key function.  [5] Almost stationary, the attending guests maintain a stance that keeps rash utterances from wholly morphing beyond what could be predetermined.  [3] Through estimated connotation, the choreographic appliance keeps the main clause from fully capsizing and propelling itself into the void.  [7] Stoppage mode is activated by the gesticulation of an enveloping diaphragmed skeletal chest membrane.  [9] A clause halts permission of its data leakage to engineer its mimetic semantic retrogradation.  [9] The customization of the main body text diffracts the lowest pitch from its circumstantial complementary muteness.  [3] Frailty, whispered following the thorax chamber, is provisionally discontinued as if suddenly prudently vandalized.  [2] The blockage, by means of its outline, is disqualified from the perspective of the user’s utility.  [6] A swing tilting the site vertically and toppling it horizontally is accidentally turned on.  [1] Recentering proximity to support auto-devises its melancholic collapse.  [2] The pact to minimize representational purposiveness and maximize the disclosure of proximal clandestine intimacy is restored.  [4] The plot incorporates the outlook of a disquieting, topsy-turvy language of abrupt restraint, and nuance is finally incorporated.  [4] The script of the predictive model is also complete, and the discontinuity of the body is finally operative, prepared to perform, and ready to be released.  5678 → 26 → 8 

Draft dated February 20, 2025. Parallel Advent as an entry for HA by Jana Jacuka, presented on March 10, 2025, at DAS Theater. A final version will be made available upon request. ✉️